Melodie Beylik received her BFA from the California College of Arts and Crafts where she learned how to blow and form hot glass. She continued her studies in art at Mills College where she received her MFA. Melodie went on to the Bildwerk Factory School in Germany, then to year scholarship study in Sweden. Melodie has continued to travel and study with many masters of glass. She uses her designs and knowledge to create her current work.
Natalie Borges was born and raised in Redding California. In 2005 she moved to Oakland to attend California College of the Arts, where she received a Bachelor of Fine Art in Glass. Her work is a combination of enamel painting, mosaic, and blown glass. Natalie says! "Each piece is different, each day is full of new colors"
James allows space for each piece to have its own character, to be unique. Through glass he strives to bring a harmony of color and form into the world.
James lives and works in San Francisco where he, makes his own work, helps other artists bring their vision to life, and teaches glass working. He is also working with 'Light a Spark' program at Public Glass teaching kids from high risk neighborhoods to work with glass. James received his BFA from California College of the Arts in 2009.
I am fascinated by the endless opportunities that glass offers to the artist.My compositions are mostly abstract where I let the interplay of color, texture and form invite reactions from the observer.Brazilian agate is an important component in my creations for its translucent beauty and the healing power of its innate energy.I have been honored to have my work displayed along with 107 other glass artists from around the world, in « Creative Glass » by McFadden and Kracun, published in 2008. I live in the Ashland-Talent area of Southern Oregon.
Nina Kim MacKenzie
Working in glass gets more interesting every year. I like the daily perils and accept the fragility both in the material and myself; cuts, burns, cracks, blisters and other minor tragedies keep me absorbed in this unforgiving process. Maybe it is the seriousness needed in the approach that can make me a bit giddy at times. Some call my work whimsical, I see it as cheeky. Cheeky Glass Celebrations and Curiously Useful Products.
NOMAglass is the collaboration between father and son artists Bill and Michael Spiegelhalter. Our work centers around using glass recycled from old windows and wine and beer bottles, transforming them into distinctive jewelry and housewares that are simple, organic and elegant. Everything we make is individually hand-cut and shaped before being kiln-slumped, creating unique variations in each piece.
I was born in Minneapolis, Minnesota and raised in North Dakota. As a boy in the mid-west during the 1970's, I had limited exposure to the arts. Sitting down at the potter's wheel for the first time in a high school ceramics class, I immediately felt comfortable and know I was meant to throw clay. I've been doing just that since moving to California about thirty years ago.
I always feel suspended between opposites. I'm drawn to classical forms, but I also want humor. I want the rigors of formalism and the spontaneity of expressionism. This tension informs what I feel is my best work.I discovered glassblowing as I was finishing an academic program in critical theory and found the issues that concerned me, the ideas of coherence, consistency and aesthetic elegance, were all immediate in an actual physical way. What began as a lark became a way of thinking about the physical world and led to my commitment to a craft ethic.
My Studio and home are in Martinez Ca. I have been a glass artist for over 30 years, working with various techniques. These tempered glass mosaics are made with mostly recycled materials. The colors seen are paintings and pigments on the piece itself, and then broken tempered glass is adhered to on top of the painting. I am also a glass bead maker. Some of the mosaics have glass beads imbedded in them to give more of a 3D appearance. Translucent pieces allow natural light to shine through displaying colors and movement, and as light hits the opaque pieces, the reflection and refraction of light changes the pieces all day long.
Bright color and vivid images from nature – those are the hallmarks of my stained-glass mosaic artwork. A longtime writer and editor, I find the process of assembling mosaic pieces strangely similar to creating written pieces with words. I love the mix of structure and improvisation – and that mosaic work is a tangible, long-lasting gift to those who collect pieces. I’m based in Louisville, KY, but have family in the Bay Area and visit often.
My work emphasizes the process of blowing and forming hot glass using design elements that can be incorporated into the molten material. The long tradition of working with the material in its "purest form" is compelling. My challenge is to add these elements into the pieces and still maintain the integrity of the process. I want to capture the beauty that can be implicit in the simplest form, line and color.
Glass has been used to contain what is precious for over 5,000 years. This knowledge, combined with her love of the garden, has become a foundation for Kim’s pieces that celebrate themes of nurture, memory, light, and fecundity. An Honours graduate of Canada’s Sheridan College School of Craft and Design, Kim’s work has been recognized internationally for its narrative content and sense of whimsy. Kim makes her glass in Berkeley, finishes it in Oakland and exhibits most often where glass and gardens meet.
I enjoy the technical challenges in creating my mosaic work, whether applying the mosaic to a substrate that I cast in concrete, build up an armature of wire mesh, or repurpose an old frame or ceramic roof tile. Color, texture and shape are central to my work. As a resident of the Bay Area for 30 years, I feel a strong connection to the western landscape, and often integrate natural materials in my work, including river rock, pebbles, beach glass, fossils and shells.