Artists working with Upcycled materials!
Arabesque is the creative partnership of silversmith Joshua Haiman and writer/illustrator Holly DeFount. Holly’s fine art background paired with Joshua’s smithing and jewelry design makes for a unique and dynamic fusion of their arts. Arabesque’s style reflects the elegance of decorative art found in historical architecture, sculpture, fabric and ornamental design, as well as the graceful iconic pose in ballet. We rely on ethically sourced materials including recycled and fair-mined metals, and practice environmentally responsible principles both in the studio and out. We are committed to fostering a culture of collaboration and interdependence centered on the arts.
My joy is in working with fine, found, and recycled materials to form unique, wearable sculptures. I create pieces that emphasize texture through metal crochet, weaving, multiple patinas and other adventurous techniques. My background in painting and printmaking also often come into play in the tumultuous, wonderful marriage of practices that form my art.
Tom is a Bay Area native trained in the biological sciences, graphic arts and computer animation. His inspirations include comic book art and science fiction. He creates whimsical dinosaurs, insects and other critters using a papier-mache and cloth technique that he has refined over the last few years. He works with newspaper, bed sheets, paper towels, coat hangers, and other ordinary household items. "My passion," he says, "is to transform this stuff into a critter with a personality."
Mexican border town culture, three years of childhood spent in Iran during the early 1960's and the Greek heritage of her father's family have all been active influences in Mirto's creative endeavors. Everything harkens to strong color, coupled with an effusive and mystic intent. The state of being human - the state of the heart; all striving to be accomplished with very humble elements, discards and sticks found on the ground.
Osa Kauffman is a self-taught leather worker in San Francisco, CA, creating bags for both women and men. Osa enjoys working with leather because of its’ versatile textures and colors. Her interest in creating leather bags started when she sewed a bag for herself as an experiment to create a bag that was pleasing to the eye yet practical. Since then, she has continued to create bags in various designs and colors. Her style is characterized as straightforward and rustic with a modern edge.
I create paper creatures - collage hybrids made up of insects, birds, shells, human bones, plants and fashion couture. These grotesque beauties are on display, often pinned to the canvas to be studied and critiqued. I cut out illustrations from vintage medical, science and natural history books. I also source images from my vast collection of Vogue magazines to create the "dresses" for the specimens. I work with tiny pieces of paper - beetle legs, birds' feet, lobster claws, butterfly wings, leaves and flower petals - to create intricate, strange creatures. Part science fiction, and part fairy story, these collages are like scientific records of my discoveries.
NOMAglass is the collaboration between father and son artists Bill and Michael Spiegelhalter. Our work centers around using glass recycled from old windows and wine and beer bottles, transforming them into distinctive jewelry and housewares that are simple, organic and elegant. Everything we make is individually hand-cut and shaped before being kiln-slumped, creating unique variations in each piece.
My Studio and home are in Martinez Ca. I have been a glass artist for over 30 years, working with various techniques. These tempered glass mosaics are made with mostly recycled materials. The colors seen are paintings and pigments on the piece itself, and then broken tempered glass is adhered to on top of the painting. I am also a glass bead maker. Some of the mosaics have glass beads imbedded in them to give more of a 3D appearance. Translucent pieces allow natural light to shine through displaying colors and movement, and as light hits the opaque pieces, the reflection and refraction of light changes the pieces all day long.
Irene Storch began studying fine arts after moving to the Bay Area from Germany in 1981. Eventually her interests expanded into jewelry-making. Equally inspired by the designs and materials of modern technology as those of nature and ancient crafts (like wearing wire-wrapping) her jewelry symbolizes the interaction between the two.