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"Remake/Remodel:Rebound”
Studies of Transformation “Physical,
emotional, and challenging, “Remake/Remodel: Rebound” provides
the audience with a selection of images and objects that are the result
of a personal experience or epiphany. The exhibition showcases 14 artist’s
interpretations of transformation. From teabags to tumors, the artists
use their sense of humor and a variety of unusual media to transform
a discarded object or negative experience into an enlightening body
of work.”- Lisah Horner, Gallery Director |
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Dina
Gewing Image: “Ticking Time Bomb Tumor” from “Piece of Mind: One Tumor –Thirteen Visions”. In August, 2005, ceramicist, Dina Gewing experienced a major seizure while working at the ACCI Gallery. She was quickly diagnosed with a benign menengial brain tumor. Her neurologist explained that the tumor had been growing inside her head for 15 to 20 years. Faced with the shock of the entire experience, Dina and her partner, Tim, chose to embrace the surgery and recovery process with humor. The result is a series of 13 sculptures showcased in specimen jars. Her interpretations of the undetected growth as an alien implant as well as a manifestation of the Blessed Mother helped her tackle her experience and transform the trauma into recovery. Gewing has returned to work part-time at ACCI and to her studio in the Berkeley Potters Guild 8 months after she was stricken |
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Kate
Kerrigan Kate Kerrigan, originally from Wisconsin, has been a San Francisco Bay Area resident since 1994, currently residing and working in Berkeley, CA. After an introductory mosaic workshop in 1999, she combined her background in graphic design with the ancient art form to develop her career as a mosaic artist, specializing in stained glass. She is excited to discover and explore new subject matter, as she is continuously enriched and inspired by the experiences in her life. Kerrigan has been actively producing, showing and selling her work and is now teaching mosaic. |
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Clayton Bain I really don't like to say too much about my sculptures, although I'll talk your ear off about them if you let me. I use mostly found objects, so they inherently have their own meaning. It is your experience that is reflected in the meaning, not mine. I focus more on form and spatial qualities instead. The physical space is so important to any sculpture. Any connection to the content is prejudiced by your own viewpoint. You create the artwork from that point onward. You are the artist, not me. |
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Dobee Snowber | |||||||||||
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Edge
Art Group http://www.edgeartgroup.com The mixed-media works of EDGE take myriad forms, connected by a compelling focus. If anything characterizes the diverse work of these artists, it is their uncommon use of common materials: brown grocery bags become a cocktail dress; lipsticks become ammunition, threads become houses. Amusing, poignant, somber, beautiful, brash---their creative expression sparks EDGE artists and viewers alike.
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